L’Arte del Mandolino barocco

L’Arte del Mandolino barocco


Jade, Universal France 2007

 Sinfonia Brescianello. Allegro
 Concerto in G Maggiore Vivaldi II. Andante
 Symphonie Van Maldere I. Allegro
 Symphonie XIII. Van Maldere. Presto Risoluto

The program on this cd will immerse you in the Baroque world of the mandolin, a universe where exuberance and opulence are sovereign, and skittishness flirts with bizarrerie and madness.

 

No music has been as vigorously energetic as that of the Baroque period, which is a hymn to life, feelings, and emotions, the striving for detail and beauty, le beau éternel…

 

It is therefore a great fresco of life itself that awaits you when you enter the magical world of plucked string instruments: a plethora of images, sounds and colours, light and shadow.

 

« Is it not strange that sheep’s guts should hale souls of men’s bodies? » Shakespeare, Much Ado About Nothing, II, 3


Artemandoline

Juan Carlos Muñoz  Baroque mandolin

Mari Fe Pavón Baroque mandolin

Manuel Muñoz Baroque guitar

Alla Tolkacheva Baroque baroque mandola & baroque mandolin

Francesco Civitareale Contrebasse

REVIEW

[...] the excellent virtuosos of Artemandoline have chosen to adapt to each nail or plectrum each instrumental part of a judiciously selected repertoire ... precious moments ... fluid texture. Their audacity is fully rewarded ... A success.

Roger-Claude Travers, Diapason


Sospiri d'amanti

Sospiri d'amanti

«Cantatas & arias»


Sony/2015. Deutsche Harmonia Mundi

 01. Paisiello Aria Rien ne peut calmer ma peine!
 02. Conti-Aria Bramo un core che impari dal mi
 03. Eracleo: Dopo i nembi e le procelle (Aria)
 04. L'Astianatte: Io non vi credo (Aria)

The world of  cantatas for soprano, mandolin, violins and  basso continuo is a wonderfully refined and original one. The music has been brought straight from Library shelves. Artemandoline  has been updating centuries old forgotten manuscripts for a long time now. These musical treasures are full of surprises, having been found in libraries owned by local aristocracies, they recall the music  performed in their residences.

 

An  invitation to the intimate setting of an Austrian or Italian Court at the beginning of the  XVIIIth century.

Contrasting voices and instruments performing as a solo or together will compete with charm and impetuosity to conjure  up the vivacity and the beauty of the  Italian music at the time. The program includes Cantatas by Caldara, Bononcini, Conti, Händel, Albinoni, Hasse, Gasparini, Paisiello and Mancini.


Artemandoline
Nuria Rial soprano

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Juan Carlos Muñoz & Mari Fe Pavón Mandolines baroques

François Fernandez, Christoph Hesse Violons 1

Anne Pekkala, Miriam Rudolph Violons 2

Gabriel Grosbard Alto

Manuel Muñoz Guitare baroque

Yasunori Imamura Théorbe

Michel Igisch Violoncelle & viole de gambe

Jean-Daniel Haro Violone & contrebasse

Jean-Christophe Leclère Clavecin

Alla Tolkacheva Mandolone & Mandole

Georges Barthel, Keiko Kinoshita Traverso

Maximilian Ehrhardt Harpe

Ursula Bruckdorfer Basson

REVIEW

[...] Artemandoline revives the music of the Austrian and Italian courts at the beginning of the 18th century. The soprano Nuria Rial offers here a beautiful range of tunes in which the voice dialogue with the plucked strings of the mandolin. 

La médiathèque belge Note, CD Sospiri d’amanti. Sony