Harpsichord

Harpsichord

Mattias Griewich, copy after Christian Vater, Munich 1735


Viola da Gamba

Viola da Gamba

David Rubio, copy after Guillaume Barbey, Paris, 18th century

Alain Meyer, violone copy after Vogel, 1583


Liuto Teorbato

Liuto Teorbato

Frank-Peter Dietrich, copy after Matteo Sellas, Venice 1635


Baroque & Romantic Guitar

Baroque & Romantic Guitar

Frank-Peter Dietrich, copy after Johannes Tielke, Hamburg 1705

Angel Benito, copy after Petit Jean l’Ainé, Paris 1800


Baroque bandurria

Baroque bandurria

Tuned in thirds and fourths. Six gut strings. Played with a feather quill or a plectrum made from the wood of the cherry tree.


Alfred Woll, copy after Josep Massagué, Barcelona, 18th century


Mandolone

Mandolone

Tuned in thirds and fourths. Six gut strings. Played with a feather quill or a plectrum made from the wood of the cherry tree or with the fingers.


Alfred Woll, copy after Johannes Vinaccia, Naples 1773


Cremona Mandolin

Cremona Mandolin

Tuned in fifths. Bronze and gut stringed. Played with a feather quill or a plectrum made from the wood of the cherry tree.


Alfred Woll, copy after Matteo Scolari, Cremona 1790


Baroque Mandola

Baroque Mandola

Tuned in fifths. Bronze and gut stringed. Played with a feather quill or a plectrum made from the wood of the cherry tree.


Alfred Woll, copy after Giovanni Battista Fabricatore, Napoli 1792


Milanese Baroque Mandolins

Milanese Baroque Mandolins

Tuned in thirds and fourths. Six gut strings. Played with a feather quill or a plectrum made from the wood of the cherry tree or with the fingers.


Alfred Woll, copy after Francesco G. Presbler, Milan 1769


Neapolitan Baroque Mandolins

Neapolitan Baroque Mandolins

Tuned in fifths. Bronze and gut stringed. Played with a feather quill or a plectrum made from the wood of the cherry tree.


Alfred Woll, copy after Antonio Vinaccia, Naples 1760

Antonio Vinaccia, 1780 Naples

Donatus Filano, 1777 Naples